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CRONOLOGÍA 1896 -During his early years lives in the location Palermo, Aráoz 3584. 1899-1901 Travels together with his mother and one of his brothers to North Italy, Piamonte, to visit his mother's relatives in Roverazza and San Sebastián Curone. There, suffers a pneumonia, which years later would turn into asthma. 1902 -Comes
back to Argentina. Lives in the street Paraguay 4137, Capital Federal. 1904-1908 -Goes
to primary school at Colegio Salesiano “Don Bosco”, placed in Solís
252, and Escuela Superior de Varones Nº2 C. E. Nº3, placed in Mexico
1600. 1910 -Starts
working temporarily in a shop: Gath & Chaves. 1911 -Works
as a telephone operator during the night in the Unión Telefónica. 1912 -Enters
the Empresa Nacional de Correos y Telégrafos, where he works until 1924. 1913 -Starts
his art education in the Sociedad de Educación Industrial. Professional
Technical Schools placed in Lavalle and Salguero. There, takes a course
about ornamental drawing. 1914 -Gets
the Second Prize: “Premios Arturo Z. Paz” for the drawings made during
the curse about ornamental drawing. 1915 -Enters
the “Prilidiano Pueyrredón” National School of Fine Art. Ends the 1st,
2nd, 3rd and 4th years of the career in
1915, the 5th one in 1916 and the 6th one in 1917. 1917 -His
father dies on the 28th of September. -
Graduates from the “Prilidiano Pueyrredón” National School of Fine
Arts as Drawing and
Painting National Professor. Bigatti,
Forner and Gigli are some of his partners. Pío Collivadino, Ernesto de la
Cárcova and Carlos Pablo Ripamonte are part of his Professors. 1918 -Writes
his Autobiografía (autobiography). Travels to paint to Mar del
Plata. Practices the outside painting: works at the Bosques de Palermo and
paints landscapes at the Maldonado brook.
1919 -Starts
sending his works to the National Hall. 1920 -Writes
about his thoughts in a booklet El porvenir depende de uno mismo,
in order to arrange and organize his life and work. -The
Salón Nacional de Bellas Artes (National Hall of Fine Arts) accepts, for
the first time, one of his pieces. 1921 -Moves
to a dry weather following doctor’s recommendation. Asks the mail
company where he was working for his relocation in San Juan, Desamparados.
He moves on the 28th of November, and stays living there until
the 18th of September 1924. -Has
his first individual exhibition, San Juan, Argentina. -Rehearses
different art techniques, including sculpture. 1922 -Carries
out new individual exhibitions in San Juan: Casa España “Etching,
watercolors and oil paintings” San Juan, Argentina. Círculo de Armas,
San Juan, Argentina. -
Etching First Prize. National Hall of Fine Art. Elemento de trabajo
(Work element) and En invierno (In Winter). Etching. (Nº 234 and
235 cat. SNBA). Exhibits his oil Quietud del pastor in the National
Hall. 1923 -
Painting National Third Prize. National Hall of Fine Art. Seres
humildes (Humble Beings), oil painting on canvas (Nº 137 of the
catalog, room VII); with an award of $500. Exhibits in the National Hall
the etching Fieles Compañeros. The first prize that year goes to
Francisco Bernareghi for Sol de abril; the second prize goes to
Lorenzo Gigli for Segadores. Two third prizes are given; one of
them goes to Jorge Larco for Venus porteña. 1924 -Comes
back to Buenos Aires on the 18th of September. -Sends
three pieces to the National Hall of Fine Art: Resignación, La
bendición and Bordadora de frazadas. 1925 -
Best Collection Unique Prize ($ 3.000). National Hall of Fine Art. Vieja
Puyutana, oil painting on canvas; Descanso (Rest) oil painting
on canvas; El Ciego (The Blind Man), oil painting on canvas; Paisaje
Andino (Andean Landscape) (Nº of the cat. SNBA 199 to 202, in room V)
The Honor Medal Prize is not agreed and the First Prize ($ 2.000) is given
to Fray Guillermo Butler for his piece, Paisaje de Córdoba.
-
III Free Autumn Hall, La Plata. Painting Second Prize. -Is
invited to participate in the collective exhibition organized by the
Universidad de La Plata, together with artists who were also prized in the
National Hall. It is the First University Annual Hall, and he exhibits his
oil paintings Descanso and Vieja puyutana and the etching Fieles
Compañeros and Elementos de trabajo. The next year the
exhibition would go round different European cities (Madrid, Paris,
Venice, Milan, etc.) -Using
the money he won in the acquisition prize for El ciego ($ 2.000) he
travels to Europe: sails from Buenos Aires on the 26 of October and
arrives to Vigo on the 19 of November, in the vapor ship Monte Oliva.
1926 -Visits
Florence, Venice, Palermo and other Italian cities searching for classic
art sources. Revalues, with a modern study, the Renaissance past. He pays
special attention to the frescos, maybe starting his muralist vocation. -Moves
to Paris, to the 7 of the rue Daguerre. -Studies
at André Lhote Academy double shift. Usually visits museums and
expositions, building his iconographic ideas from the detailed observation
and copy of past artists. -Participates
in the Argentine Artists Collective Exhibition, organized by the National
University, La Plata. The exhibition is also presented in the Sociedad de
Amigos del Arte de Madrid, using 7 rooms: the Jeu De Paume (Paris);
the Berizza Palace, Antiguo Coleggio delle arti, Venice; Villa
Borghese, Aranciera dei giarini del lago, Rome (between January and
March of this year) 1927 -During
the time he remains in Europe he sends pieces to argentine halls. Painting
Acquisition First Prize. IV Santa Fe Annual Hall. Descanso (Rest),
oil painting on canvas. -Sends
two pieces to the National Hall of Fine Arts: Composición
(composition) and Comiendo (eating). 1928 -In
August he participates in the collective exhibition organized by Bigatti
and Butler in the Asociación de Amigos del Arte de Buenos Aires, named
Group of Vanguard Painters, together with: Badi, Basaldúa, Berni and
Butler. They use rooms I, II and III in the space placed in Florida
street. He exhibits watercolors, pencil drawings, etchings and an ink
drawing. -Leaves
Hamburg on October 31 in the vapor ship Monte Cervantes. Returns to
Argentina and moves to Las Lomitas, San Juan. -Sends
two oil paintings on canvas to the National Hall of Fine Arts: Meditando
and Pueblo piamontés. 1929 -His
son Antonio is born on the 31st of March, in San Juan. -Sends
pieces to the Salón de Acuarelistas, Pastelistas y Grabadores (May). -Is
invited to participate, together with a group of recognized modern
painters, in the opening exhibition in the Sala de Exposiciones de la
Asociación Wagneriana de Buenos Aires (Florida 936). The organizer of the
area is Alfredo Guttero. -Painting
First Prize. XI Rosario Municipal Hall. Paisaje de San Juan (San
Juan Landscape), oil painting on canvas. Gold Medal, Diploma and a $ 6.000
prize (August). -Participates
in the New Hall, collective exhibition in the Asociación Amigos del Arte
(September). The aim of the exhibition is to put together artists with a
unique plastic interest. Amongst the artists who take part in the
exhibition there can be named: Alfredo Guttero, Pedro Figari, Xul Solar,
Juan del Prete, Ramón Gomez Cornet, Norah Borges, Horacio Butler, Emilio
Pettoruti and Raquel Forner. -Sends
the oils Composición and Paisaje to the XIX National Hall
of Fine Arts. -The
Municipal Commission of Fine Art of Rosario invites him to the New Hall
and presents in it’s rooms 141 pieces (paintings and sculptures) from
different artists: Spilimbergo, Xul Solar, Raquel Forner, Alfredo Guttero,
Luis Falcini, Alfredo Bigatti, amongst others (October). The Córdoba and
Santa Fe Commissions require the exhibition. Several
Individual Exhibitions: -“Casa
España”, San Juan (September). -II
Sala de Amigos del Arte de Buenos Aires. Exhibits
gouaches and monotypes. Presents the series of monotypes: Los
politicos, La huida and Día Festivo (October). 1930 -Moves
to Buenos Aires, lives in Obligado 4131, Capital Federal, Argentina. -On
the 7th of October the Municipal Commission of Fine Art of
Rosario acquires the piece Figura for $150. Several
Individual Exhibitions: -Salón
Witcomb, Rosario, Argentina, oils (September). -Asociación
Wagneriana, Buenos Aires, Argentina, presents oil paintings, temperas,
watercolors, etchings and monotypes
(November). Collective
Exhibitions: -XVI
Annual Hall of Acuarelistas, Pastelistas y Grabadores (May). -Special
Guest in the Art Hall, Rosario, where he exhibits Naturaleza Muerta
(August). -Sends
the oil paintings Desnudos and Paisaje to the XX National
Hall of Fine Arts. -First
Annual Hall of Modern Painters, in the Sala de la Asociación Wagneriana
de Buenos Aires. The Hall includes pieces of Guttero, Spilimbergo, Forner
and Badi, amongst others (December). 1931 -Individual
Exhibition in the Hall of the Asociación de Amigos del Arte de Buenos
Aires. Exhibits oils, gouches, drawings and monotypes (August). Collective
Exhibitions: -Argentine
artists in Montevideo, Uruguay. -First
Municipal Hall, Bahia Blanca (April). -Sends
pieces to the XVII Salón de Acuarelistas, Pastelistas y Aguafuertistas
(May). -Sends
the controversial oil on canvas, Figura, to the XXI National Hall
of Fine Arts (September). -The
Provincial Museum of Fine Art of Córdoba, leaded by Antonio Pedone,
incorporates young artists’ pieces: Spilimbergo, Gigli and Fioravanti
(September). -Because
of the general disagreement caused by the exclusion of Spilimbergo’
piece, Figura, from the official recognition of the National Hall
Prizes, a group of artists- amongst them Bigatti, Forner, Guttero,
Pettoruti, Collivadino, Coppola, Centurión, Larco, de Ferrari, Romero
Brest, Donnís, Girondo- organize a Tribute to Spilimbergo, where the
piece is acquired and donated to the National Museum of Fine Art,
repairing what it was consider to be official indifference (November). 1932 -Moves
to the street Correa 3065, Capital Federal. -In
January, the Provincial Museum of Fine Arts of Córdoba acquires for $450
his piece, Figura. -In
July, presents the scenery for the choreographic poem La Conquista,
from the musician Vicente Forte, in Lima, Peru. -El
comercio, Lima’s newspaper, announces the next premier for July, in
the Teatro Colón of Buenos Aires. Collective
Exhibitions: -Signo,
in the Castelar Hotel: Pettoruti, Spilimbergo, De Larrañaga, Gómez
Cornet and the sculptor Musso (May). -XVIII
Watercolorist Hall (July). -Sends
pieces to the XXII National Hall of Fine Arts (September). -Invited
by the jury of the Salón del Cincuentenario de la Ciudad de La Plata,
participates with three pieces in the commemorative hall. The invited
artists are: Spilimbergo, Forner, Guttero, Butler, Badi, Bigatti, amongst
others. The art critic Córdoba Iturburu says to the newspaper Crítica
that the collection was brilliant and it represented the New Art. The
presence in the Hall included the pieces acquisition by the Provincial
Museum of Fine Art, La Plata. -On
December 23rd, is invited to participate in the Argentine
Etching Exhibition in New York. 1933 -Creates,
together with Antonio Sibelino and Luis Falcini, the Sindicato de Artistas
Plásticos (May). Donates a painting to raffle
for the benefit of the syndicate in November. Antonio Sibellino,
Pompeyo Audivert, Juan Carlos Castagnino and other artists donate pieces
as well. -Relates
to the Mexican muralist David Alfaro Siqueiros, who arrives to Buenos
Aires invited by the Asociación de Amigos del Arte. Together, they
produce a collective piece in less than three months, the mural Plastic
duties, at Mr. Natalio Botana’s country house (Director of the
Newspaper Crítica) in Don Torcuato. Berni, Castagnino and Lázaro
work together with Spilimbergo and Siqueiros. After the experience,
Spilimbergo tells the newspaper Crítica that the experience was
decisive in his life. During the month of November photographs of the Plastic
duties are exhibit in the Colegio Libre de Estudios Superiores
(Belgrano 1700). Collective
Exhibitions: -Argentine
Etchers in New York, United States. -Exhibition
of the First Group pf Argentine Painters, organized by the Italian
Cultural Institute, in Rome, Florence, Venice, Geneva and Milan. Sponsored
by Italian and Argentine governments (since January). The exhibition
spreads argentine art and sells the pieces. Spilimbergo presents: Paisaje
de Buenos Aires and Calle de San Juan.
-XIX
Watercolorist Hall, participates with Figuras (June). -Modern
Painters and Sculptors Hall in the Amigos del Arte. Participate amongst
others: Spilimbergo, Emilio Centurión, Juan del Prete, Ernesto Scotti,
Pedro Dominguez Neira and Emilio Pettoruti (June). -Collective
Exhibition in Galería Müller, Buenos Aires, together with Beristayn,
Centurión, Cúnsolo, Lía Correa Morales, Guido, Gigli, De Ferrari,
Dominguez Neira, Pedone, A. Rossi, Jorge Soto Acebal, Victorica, Vidal and
Ana Weiss (July). -Painting
First National Prize. XXIII
National Hall of Fine Art. Naturaleza Muerta (Still life), oil
painting on wood. -The
muralist group: Siqueiros, Spilimbergo, Berni, Castagnino and Lázaro,
make an exhibition with original cartels, multi-exemplars and
scenery-photographs, about social issues (November). 1934 -Professor
at the Argentine Institute of Graphic Art until 1939. -On
February 3rd is invited to participate in the Diccionario
Enciclopédico Abreviado of Espasa-Calpe. -Participates
in the Modern Painters Hall in Amigos del Arte, with three unpublished
pieces, together with Dominguez Neira, Centurión, Victorica, Pettoruti,
Butler, amongst others (May). -Collection
First Prize ($ 300). XX Hall of Watercolorist. Jóven vendedor
(Young Salesman), Figura (Figure), Naturaleza Muerta (Still
life). -Participates
with Figura (temple), in the XI Hall Rosa Galisteo Rodriguez, Santa
Fe. -Participates
in the II Art Hall of La Plata; the Provincial Commission of Fine Art
acquires his temple Figura for $500 (September). -Is
invited as an Official Painting Jury, together with Lía Correa Morales de
Espinosa Viale and Pedro Dominguez Neira, in the XXIV Art Hall. National
Direction of Fine Art (August). -Participates
with his oils Espera and La calle, in the XXIV National Hall
of Fine Art. 1935 -Painting
and drawing Professor at the “Prilidiano Pueyrredón” National School
of Fine Art until 1948. Collective
Exhibitions: -International
Exhibition in the Carnegie de Pittsburg Institute, with the presence of
126.000 people. Presents his Terraza con figuras. -Exhibition
in Amigos del Arte, Seven Argentine Painters (Badi, Basaldúa, Berni,
Butles, Gómez Cornet, Pettoruti, Spilimbergo) (August). -Participates
in the Hall of Modern Art, in Amigos del Arte. -His
prized piece Naturaleza muerta is exposed in the XXV National Hall
of Fine Art, commemorating the Hall’s 25 years of existence, together
with other prized pieces. Sends to the National Hall Figuras. -Starts
working on the monotype series: Breve Historia de Emma. 1936 -Paints
the piece El escultor, which he keeps to himself because he
considers it one of his masterpieces. Collective
exhibitions: -Cleveland
Art Museum and Art Museum of Toledo, in Ohio, with his piece Terraza
con figuras. -Peuser
Hall of Buenos Aires. La planchadora, 1936. -Amigos
del Arte, Buenos Aires. -
Painting Acquisition Prize given by the National Culture Commission. Retrato
de Pablo Diaz (Pablo Diaz Portrait), oil painting on canvas. Prize
given by the Hall of Watercolorists. -Is
invited to the exhibition in El Argentino, La Plata (August). -Is
invited to represent the National Direction of Fine Art in the III
Exhibition of Prized Pieces, in the XXVI Hall of Fine Arts, Córdoba. -Participates
in the contest, on the 26 of October, for the Drawing and Painting
subjects in the National School of Fine Art. -Is
invited to de a painting jury in the XXVI National Hall of Fine Art. -Is
invited to participate in the Painters Hall, organized by Amigos del Arte,
with three pieces (May). -Receives
a request to give up on the piece that was sent to Pittsburg. 1937 -Illustrates
Oliverio Girondo’s book “Interlunio” (Interlude). Collective
Exhibitions: -The
Círculo de Rosario’s 25th anniversary commemoration, in the
Municipal Museum of Fine Arts, with his oil Naturaleza Muerta. -
Carries out the decoration of the Argentine Pavilion at the International
Exhibition in Paris. -
Great Painting Prize, International Exhibition in Paris. Figura
(Figure), 1931, oil painting on canvas. Etching
Gold Medal. International Exhibition in Paris, etching belonging to the
illustration of Oliverio Girondo’s book “Interlunio”(Interlude). -Prized
by the International Exhibition Jury in Paris, Group VI- Class 27- Graphic
and Plastic Arts. Great Prize. Group VI- Class 29- Etching and Decorative
Arts. Gold Medal (February 12, 1938, official communication). -Great
National Painting Prize. Prize of Honor. Figuras (Figures) (Nº 305
cat. SNBA), oil painting on canvas. Acquisition in $ 7.500. -Participates
with his oil Naturaleza muerta, in the XVI Hall of Rosario
(September). -Jockey
Club of Rosario acquires the Naturaleza muerta exposed in El Círculo
for $700. 1938 -Moves
to his house-atelier placed in Guayra 3818, Capital Federal, Argentina. Individual
Exhibitions: -Rosario,
Argentina. Collective
Exhibitions: -Three
Contemporary Painting Expressions. Badi- Pettoruti- Spilimbergo. Municipal
Museum of Fine Art, in the Honorable Consejo Deliberante de la Ciudad de
Buenos Aries building. -Figuras
acquisition by the Provincial Museum of Fine Art of Santa Fe “Rosa
Galisteo Rodriguez”. 1939 -Travels
to Bolivia. Individual
Exhibitions: -Provincial
Museum of Fine Art of Santa Fe “Rosa Galisteo Rodriguez”, Honorable
Guest, XVI Annual Hall of Painting, Sculpture and Etching of Santa Fe
(May). Collective
Exhibitions: -Argentine
Art, Viña del Mar, Chile. -Municipal
Museum of Fine Art. “Etching panorama. Since Sívori until today”,
room VI. -Carries
out the decoration of the Argentine Pavilion at the International
Exhibition in New York. -Donates
an etching to the Palacio Municipal de Río Cuarto Museum of Fine Art. -Honor
guess in the IV Plastic Art Hall of the Ciudad de San Pedro. -On
the 11 of September, the Provincial Commission of Fine Art acquires Niños
for $ 2.000. The piece was exposed in the XVI Annual Hall of Santa Fe, and
would have been for the “Rosa
Galisteo de Rodríguez” Museum. -On
the 25th of September he is invited to teach in the Tomas Frías
University, Fine Art Academy of Potosi, Bolivia. -On
the 17th of October he is named Honorable Associate in the
Artists Union, Free Painters of La Sierra de Potosi, Bolivia. -On
the 26 of December the Honorable Concejo
Deliberante de la Ciudad de Buenos Aires acquires his etching, Figuras,
for $120. 1940 -Travels
to Bolivia. -Visits
Chilecito,
La Rioja. Collective
Exhibitions: -Amigos
del Arte, Ten Argentine Painters (Héctor
Basaldúa, Horacio Butler, Aquiles Badi, Juan Ballester Peña, Antonio
Berni, Raquel Forner, Ramón Gómez Cornet, Emilio Pettoruti, Lino E.
Spilimbergo, Raúl Soldi). Presents El Cadáver. -Is
invited participate in the exhibition: Americans Contemporary Painting, in
Los Angeles County Museum, where he presents his pieces Naturaleza
Muerta and La terraza. -Chosen
by the participants to be a Member of the Jury in the Posters Contest Acción
Argentina. -Participates
in the Book and Etching Exhibition placed in the Círculo Militar. 1941 Collective
Exhibitions: -Twenty
Argentine Artist, Asociación Gente de Arte de Avellaneda. -Argentine
Painting in New York. Presents his pieces: Figuras and Suburbios
de Buenos Aires. The exhibitions visits Chicago, Pittsburg and San
Francisco. -Municipal
Museum of Fine Art and Anexo de Artes Comparadas. -Donation
request for the Municipal Museum of Fine Art of Godoy Cruz, Mendoza. -On
the 18th of July he is invited to be a member of the painting
Jury together with José León Pagano, Alfredo Williams and Gregorio López
Naguil, in the Annual Hall of Fine Art. 1942 -Travels
to La Rioja. -
Geometric and Ornamental Drawing Professor at the Escuela Técnica de
Oficios Nº5 since March 15. Individual
Exhibitions: -Asociación
Gente de Arte, Avellaneda. Collective
Exhibitions -Municipal
Museum of Rosario “Juan B. Castagnino”. Argentine Etching. Presents
the 11 etchings
belonging to the illustration of Oliverio Girondo’s book
“Interlunio”(Interlude). -Five
Argentine Masters, Mutual Estudiantes de Bellas Artes, Buenos Aires,
Argentina. -First
Art Hall, Mar del Plata, Argentina. -First
Painting Hall of the Sociedad de Artes Plásticas “Austral”, Comodoro
Rivadavia, Argentina. -On
the 24th of March, the Provincial Commission of Fine Art of
Buenos Aires acquires the oil painting Paisaje (Chilecito, La Rioja)
exhibited on the First Art Hall of Mar del Plata. -On
the 3rd of August the National Commission of Fine Art invites
him to participate as a painting jury in the Annual Hall of Fine Art,
together with Rodolfo
Franco, Alfredo Williams y Francisco Vidal. -On
the 27th of November receives $250 as a payment for the
drawings that would illustrate Baudelaire’s book “Les fleurs du
mal”, from Libreros Editores Viau S.R.L. 1943 -Painting
and Drawing Professor at the Superior School of Fine Art, dependent on the
University if La Plata until 1945 Collective
Exhibitions: -Rochester
Public Library Art Gallery, of New York; Cleveland Museum of Art, Ohio;
Kent State University Art Gallery, Ohio; Riverside Museum, New York. -National
Commission of Fine Art, Montevideo: Argentine Art of the Past and Present. -Second
Painting Hall of Fine Art, Mar del Plata, Argentina. -Plastic
Art Exhibition; Professors, Pieces from Graduates and Student from the
School of Fine Art, Organized by the University Extension Department of
the University of La Plata. Itinerary: Bahía Blanca and Tres Arroyos.
Spilimbergo presents his oil paintings Naturaleza Muerta (National
First Prize) and Figura. -
First Municipal Prize. Buenos Aires Municipal Hall. “Jóven herido”
(Hurt Young Man), oil painting on canvas. -On
January 15, the Municipal Museum of Fine Art “Juan B. Castagnino”
acquires a monotype that was exhibit in the exhibition The Argentine
Etching, for $ 200. -On
March 20 the Provincial Museum of Fine Art “Rosa
Galisteo de Rodríguez” of Santa Fe invites him to the inaugural contest
of the new building, as the Honor Guest in the XX Annual Hall. -On
May 27, the Municipal Museum Fernando Fader of Godoy Cruz acquires
the piece Figura for $300. -On
May 28, he is invited as a painting jury in the XXII Hall of Rosario,
Cultural Municipal Direction, Municipal Museum of Fine Art “Juan B.
Castagnino”, together with Horacio Butler and Miguel Carlos Victorica. -On
June 23, the Riverside Museum of New York, acquires two of his etchings: Retrato
and Dos mujeres. -The
Amigos del Arte of Montevideo acquires the piece El Vesubio for
$150 (Uruguay money). -On
August 5th, the National Commission of Fine Art invites his to
participate as a jury in the Annual Painting Hall of Fine Arts, together
with Rodolfo
Franco, Raúl Mazza and Adolfo Bellocq. -On
September 8, the National Academy of Fine Art invites him to participate
in the English magazine, The Studio, in an article that deals about
Argentine plastic art. -On
September 9, the National Commission of Fine Art invites him to integrate
the Assistance Commission together with Gómez Cornet and Rodolfo Franco,
to deal with the Painting Prizes in the XXXIII National Hall of Fine Art
(he rejects the offer). 1944 Individual
Exhibitions: -Provincial
Museum of Fine Art, La Plata; Thirty drawings. Invited by Pettoruti
(Director of the Museum) with catalog written by Romero Brest. -Arquitect
Society of Córdoba, organized by the Painters and Sculptures Association. Collective
Exhibitions: -Museum
of Fine Arts of Córdoba “Dr. Genaro Pérez”, IV Municipal Hall of Córdoba. -“For
peace”, Galería Amauta, Buenos Aires. -Acquisition
First Prize ($1.000). Córdoba Municipal Hall. “Naturaleza Muerta”
(Still Life), oil painting on canvas. -On
March 23rd, he is invited to participate as an ex Honor Guest
in the XXI Annual Hall of Santa Fe, Provincial Museum of Fine Art “Rosa
Galisteo de Rodríguez”. -On
the 6th of June, Julio Payró invites him to be part of the
twenty chosen painters in his book edited by Editorial Poseidón. -On
the 5th of August he is chosen by the Ministerio de Justicia e
Instrucción Pública de la Nación Argentina to be the painting jury in
the XXXIV Annual Hall of Fine Art, together with Emilio Centurión, Luis
J. Aquino and José León Pagano. -On
the 28th of August the National Commission of Fine Art invites
him to be a part of the Assistance Commission together with Luis J.
Aquino, Emilio Centurión, José León Pagano y Edmundo Guibourg, to deal
with the Painting Prizes in the XXXVI National Hall of Fine Art (he
rejects the offer). -On
the 27th of September he is includes in “Los genios de la
pintura” (Painting geniuses), Alberto Giordano, Editorial Sophos. 1945 -Creates
together with Berni, Urruchúa, Colmeiro and Castagnino the Taller de Arte
Mural (Mural Art Group). Individual
Exhibitions: -Galería
Amauta, Buenos Aires, Argentina. -Asociación
Impulso, La Boca, Buenos Aires, Argentina. -Provincial
Museum of Fine Art “Rosa Galisteo de Rodríguez”, Santa Fe, Argentina. Collective
Exhibitions: -First
National Hall of the Independents, Buenos Aires, Argentina. -Centurión-Spilimbergo-Victorica,
Provincial Museum of Fine Art, La Plata, Argentina. -Illustrates
“El porqué de la Victoria” by Ilya Ehrenburg, black and white
monotype. -Terraza
is successfully exhibited in Asunción de Paraguay and since March it
will be exposed in Santiago de Chile. Comisión Argentina de Fomento
Interamericano, January 25th. 1946 -Asociación
Gente de Arte de Avellaneda. Collective
Exhibitions: -National
Commission of Fine Art, Montevideo. -National
Hall of Drawing and Etching. -Paints
the Mural at Galerías Pacífico together with Berni, Castagnino, Colmeiro
and Urruchúa. 1947 Individual
exhibitions: -Sociedad
Hebraica Argentina, drawings and monotypes. Collective
Exhibitions: -Argentine
Painting, Sociedad Hebraica Argentina, Buenos Aires, Argentina. -Argentine
painters and sculptors, Biblioteca Sarmiento, Concepción del Uruguay,
Entre Ríos, Argentina. -Participates
together with Forner, Pettoruti and other artists in the Tribute to Cándido
Portinari. 1948 -Travels
to Tucumán. -
Painting and Drawing Professor at the Superior School of Painting, from
the Superior Institute of Art dependent on the National University of
Tucumán, which he organized and directed until 1952. Individual
Exhibitions: -“Ernesto
de la Cárcova” Agroupation, Buenos Aires, Argentina. -Sociedad
Hebraica Argentina, Buenos Aires, Argentina. -Student
Center of Fine Art, Buenos Aires, Argentina. -Superior
Institute of Art dependent on the National University of Tucumán, Tucumán,
Argentina. Collective
Exhibitions: -Exposición
Circulante, Student Center of Fine Art, Buenos Aires, Argentina. -Plastic
artists new and old generations, organized by the National Museum of Fine
Art and the Superior School of Fine Art “Ernesto de la Cárcova”, in
the Exhibition Room of the Superior
Institute of Art dependent on the National University of Tucumán, Tucumán,
Argentina. -Some
Masters of the Argentine Painting, Education Secretary of the Nation. 1949 -Lives
in Tucumán. Individual
Exhibitions: -Superior
Institute of Art dependent on the National University of Tucumán,
Retrospective, Exhibition Hall. -Consejo
de Educación, Salta, Retrospective, Honor Guest. -Museum
of Fine Art of Santiago del Estero, Retrospective, Honor Guest. Collective
Exhibitions: -Argentine
Painters, Sociedad Hebraica Argentina, Buenos Aires, Argentina. -Argentine
Painters, Galería Cavalloti, Buenos Aires, Argentina. -Argentine
Painters, Amigos del Libro, Salón Kraft, Buenos Aires, Argentina. 1950 -Lives
in Tucumán. Individual
Exhibitions: -Galería
Dipiel Gore, Tucumán, Argentina. Collective
Exhibitions: -Salón
Kraft, Modern Argentine Painting, arena collection, exhibits his oil
painting Meditando (1928). -Argentine
Writers Society (Buenos Aires), Argentine Painters, exhibits his piece Arrabal
(1932). -Retrospective,
Galería Plástica, Buenos Aires, Argentina. 1951 -Lives
in Tucumán. Individual
Exhibitions: -Sociedad
Hebraica Argentina, Drawings, Buenos Aires, on August 7th. 1952 -Lives
in Tucumán. -Guayra
3818, Capital Federal. Individual
Exhibitions: -Galería
Viau. -Superior
Institute of Art dependent on the National University of Tucumán, Tucumán. Collective
Exhibitions: -Sends
pieces to the Venice Biennale. -National
School of Fine Arts “Prilidiano Pueyrredón” 1953 Individual
Exhibitions: -SHA,
Executing a portrait and preparing a mural painting. -Honor
Guest, Agrupación Arte “Bohemia”, Buenos Aires. -Galería
de Arte Miravert, Buenos Aires. 1954 Individual
Exhibitions: -Galería
Plástica, Buenos Aires, Argentina. -Galería
Rubbers, Buenos Aires, Argentina. Collective
exhibitions: -SHA,
Color Stamps, Serigrafías-Litografías, exhibits an etching. -Galería
Bonino, Contemporary Painter’s posters (Badi, Basualdúa, Batlle Planas,
Bonnard, Bracque, Centurión, Colin, Coubert, Degas, Dufy, Ensor, Forner,
Hansen, Kandinsky, Lam, Lurcat, Marquet, Matisse, Palmeiro, Picasso,
Pignon, Rouault, Seoane, Spilimbergo, Toulouse-Lautrec, Van Gogh, Vanzo,
Vertés). -Argentine
and Latino-American Painters, Amigos del Arte, Rosario. -Galería
Van Riel, Four Argentine Painters. -Galería
Renon, Argentine Painters. -Sociedad
Hebraica Argentina, Argentine Landscape. 1956 -
On the 15th of May he is appointed Permanent Member of the
National Academy of Fine Art. Individual
Exhibitions: -Galería
Van Riel, Buenos Aires. Collective
Exhibitions: -Argentine
Artists, Helsinki, Finland. -Argentine
Artists, China. -Argentine
Painting, New York, United States. 1957 Individual
Exhibitions: -Engineers
Argentine Center, Individual Exhibition of Drawings and Paintings. -Galería
Propósitos, Buenos Aires. -Provincial
Museum of Fine Art “Rosa Galisteo de Rodríguez”, Santa Fe. Collective
Exhibitions: -Municipality
of Avellaneda, Cultural Direction, Art Museum, Ten years through thirty
Argentine Painters (Aquiles Badi, J. A. Ballester Peña, Héctor Basaldúa,
Juan Batlle Planas, Norah Borges, Horacio Butler, Juan C. Castagnino,
Emilio Centurión, Santiago Cogorno, Eugenio Daneri, Juan Del Prete,
Miguel Diomede, Ernesto Farina, Raquel Forner, Vicente Forte, Ramón Gómez
Cornet, Fortunato Lacámera, Onofrio A. Pacenza, Emilio Pettoruti, Orlando
Pierri, Enrique Policastro, Leopoldo P. Presas, Domingo Pronsato, Roberto
Rossi, Ideal Sánchez, Raúl Soldi, Lino E. Spilimbergo, Alberto J.
Trabucco, Marcos Tiglio, Miguel C. Victorica). Presents his pieces: Canín,
monotype (Arena Collection) and Paisaje de San Juan, oil painting
(Arena Collection). 1958 Collective
Exhibitions: -Galería
Van Riel, Roberto Olejaveska’s Collection. Exhibits his piece Figura,
oil painting. -International
Exhibition of Brussels, Argentine Pavilion. 1959 -Lives
in Buenos Aires and Unquillo, Córdoba, Argentina. Collective
Exhibitions: -Argentine
Painting, Lima, Peru. -Art
Documental, directed by Professor Jorge Rodriguez Macario, the Premier is
on the 27th of November in the Luxor Cinema. 1960 Collective
Exhibitions: -150
years of Argentine Art, National Museum of Fine Art, Buenos Aires,
Argentina. -Argentine
Artists, organized by the Artists Society of Jujuy and sponsored by the
Art and Cultural Institute of San Salvador, Jujuy, Argentina. Pieces
exhibit: Dibujo (Owner: Luis Pellegrini) and Aguatinta
(Owner: Medardo Pantoja). -Argentine
Art in Europe, Galería Van Riel, Buenos Aires. -First
International Exhibition of Modern Art in Argentina. 1961 Collective
Exhibitions: -Art
in Latin America Today, Washington, United States. -Argentine
Painting, Amigos del Arte, Montevideo, Uruguay. 1963 Collective
Exhibitions: -Argentine
Paintings, Peru. 1964 -Comes
back from Paris to his house placed in Guayra 3818, Capital Federal,
Argentina. -Dies
in Córdoba, Unquillo, on the 16th of March.
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